About the aesthetics of electroacoustic music. A proposal
Electroacoustic music offers some opportunities I would define “of redemption” for musical aesthetics, music philosophy, and musicology. Does at the basis of electroacoustic music exist a musical thought we can attribute a philosophical value to? Is it possible to talk about an “aesthetics of electroacoustic music”? I think that, from now on, we should face the issue with the seriousness it deserves.
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